What's New in My Life?

It's certainly been a year to remember. In May, Paper, Scissors, Death was nominated for an Agatha Award for Best First Novel. The list of novelists over the years who have been nominated include Mary Higgins Clarke, Jan Burke, and Janet Evanovich. I mean, really, how could you be in better company?

Cut, Crop & Die was released in June 2009, but the release was quickly overshadowed by word that my mother had terminal cancer.

My mom died in July. She was in a coma for eight days, but my sisters and I were there to care for her. I've never admired anyone as much as I admire Jane and Margaret. Our dear Aunt Shirley was with us, and Mom, until the end, too. It was a horrible time, and our friend at hospice Sally Lippert said she's seen thousands of deaths, but that Mom's suffering was unique. The morphine didn't help her pain. Afterwards, we learned that was probably because liquid morphine is absorbed through the saliva glands, and Mom's had been compromised by radiation when she had cancer of the larynx. Who knew? I thank God for hospice, and I highly recommend the service to you.

In August, we moved our son to college for his sophomore year. I signed a contract for Books #3 and #4 in the Kiki Lowenstein Mystery Series. Number 3 will be called Photo, Snap, Shot and the release date is May 1, 2010. I'm at 66,000 words of an 85,000 word Book #4. I'm calling it Make & Take, Murder, but that's always subject to change by the publisher! I'm still futzing around with the punctuation on it. Tell me. Do you like "Make & Take, Murder" or "Make, Take, Murder" or "Make and Take Murder" best?

Paper, Scissors, Death and Cut, Crop & Die are both out in large print versions and Paper, Scissors, Death is now available on Kindle.

On September 1, we moved to the metro Washington DC area so my husband David could become the official Steinway piano dealer for DC and surrounds.

Later in September, the house we built, the one where we raised our son, sold. I know it's a blessing to sell a house in this economy. We had great help. Kristi and her son J.T. Monschien made it happen. They were super. But sometimes I still miss my old home and my neighbors Kathy and John.

Last month I signed with a new agent. That's exciting. In today's market, I think it's important to have someone who is in New York most of the time. The publishing world is at a cross-roads, and every choice is difficult. Having a representative who rubs elbows with editors all the time is a huge advantage.

I've been offered the chance to write Book #5 in the Kiki Lowenstein series. I love Kiki. Her world is an escape for me. Tell me...what would you like to see in an upcoming Kiki book? You know I really do listen to you. Some of the stray comments I've heard at signings come back to me as I write. Knowing what you like helps me make better decisions!

David's new job is opening all sorts of doors for us. We were privileged to attend the National Christmas Tree Lighting (that's the photo above) and the Opening Gala for the National Symphony Orchestra. Stay tuned! I'll try to share all the excitement with you!

So now it's nearly Christmas. It's going to be a difficult one for my family. My sister Margaret came up with a crackerjack idea. We're going to Disney World for Christmas. It was a bit unexpected, but you know, it is the happiest place on earth. And anywhere my family is...well...that's a very good place to be.

May God Bless and Keep All of You and Yours in the Coming Year.

Desire Paths--Why Authors Must Create Them to Sell Books

Ever notice those footpaths between bushes, those stomped down walkways that go from a parking lot to the sidewalk, the ones clearly NOT planned by the landscaper where folks have made their own trail to get from Point A to Point B?

Those are called Desire Paths. That's a term architects use to desire "non-authorized" walkways. Ones that occur spontaneously rather than through top-down planning.

You and I must establish Desire Paths to our books if we hope to be successful. An excellent presentation by Mike Arauz explains this concept:

http://www.mikearauz.com/2009/03/desire-paths-branding-for-digital-lives.html

So how can we do this as authors? There are two parts:

PART I. We must develop a product (book) that acts as a magnet to readers--encouraging them to create desire paths to book purchases/rentals.

PART II. We must develop promotional activities which attract those readers who would love/enjoy/need/want our books--helping readers create desire paths to the booksellers.

Here how we accomplish PART I:

1. Write about characters whose qualities are enjoyable for the reader. Ever read a totally annoying book? Not for long. I remember purchasing a hardback of a bestselling author I've enjoyed over the years. I had to work hard to finish it. When I handed it to my husband, he read a couple of chapters and said, "That's enough for me. None of these people are likeable and none of them like each other." What makes an enjoyable character? Humor, humility, talent, being treated unfairly, flaws, authenticity, and most of all your character has to LOVE something or someone other than herself. Call it Slan's rule, okay?

2. Create characters who learn and grow. I got soooo tired of the victims (read: protagonists) in the Oprah bookclub picks that I wanted to reach through the pages and dope-slap them. My Kiki Lowenstein does victim-esque things, but she also makes some stunningly brilliant choices and refuses to be run-over. She grows as a person through the series. There has to be a balance--if our characters were never "victims" there would never be any conflict--and it has to tip toward growth. (Okay, I'm using "victims" loosely. Think Superman and Kryptonite and Lois Lane. If he was all-powerful, there'd never be any question of whether he could succeed, right?)

3. Add twists and turns. (In other words, be unexpected.) To stay within a genre we must meet reader expectations and adhere to unwritten rules. (For example, a cozy can't have gruesome violence or its not a cozy, and your readers will be upset because, by golly, they wanted a cozy. They didn't want to get grossed-out. Didn't sign up for that!) But just as there's all sorts of creativity within the strict format of a sonnet, you can also put in all sorts of surprises along the way. And on paper, in books, people love surprises. In real life, not so much.

4. Set your hook. I'm not a good fisherwoman because I never learned the art of setting my hook. But, as a writer, I've figured it out. See, you have to tease and tantalize the reader with an unrealized expectation at the end of each chapter. Each book must both satisfy and promise there's more to come. Those of you who have read Paper, Scissors, Death know exactly what I mean. (I won't spoil it for the rest of you, but it's a dilly.) It's not enough to give people an enjoyable read. You have to leave them panting for Act II.

Which in this case is...

How do we authors translate the concept of Desire Paths into our marketing efforts?

I'll tackle that next week.

Meanwhile...What are you thinking, people? How do you create Desire Paths within your book?