You Can't Phone It In

Beth Groundwater posted this outstanding information about planning a Blog Book Tour. Go to http://midnightwriters.blogspot.com to read it. (I'm having some STUPID "cookie" problem with Internet Explorer so I can't share the tiny url...yet. Will someone please explain to me why the same computer that was a happy camper last night woke up with new rules this morning?)

Anyway, and last Monday I promised to post more about Desire Pathways and getting noticed. Suffice it to say, Internet Explorer is making that DIFFICULT. Argh.

But here's a paraphrase of what a mentor of mine once said, "It's not worth going if nobody knows you showed up."

So...how do you distinguish yourself? Do you attend meetings and conferences and never make new friends? Are you so hum-drum that people forget you? Are your marketing materials so pedestrian that they get tossed?

I once went to a writers' and fans' conference with a friend. We were pleased to be rooming together because we were both "wanna-be" mystery authors at the time. Everywhere we went we spoke to people and introduced each other. One evening, back in our room, she said to me, "This is entirely different from the last time I came. Last time, the person I roomed with only left the room to go to specific sessions. She spent the rest of the time holed up here. She'd pull on her clothes to go hear a panel, then come back here, strip to her underwear and watch TV."

Wow. What a social idiot. (Yeah, I'm a tad cranky today.)

Then my roomie paused and grimaced. "And she needed new underwear, too."

UGH.

Hear me clearly, I'm an introvert. I know, I know. If you've met me, you'd find that hard to believe, but the definition of an introvert is someone who is energized by alone time. An extrovert is energized by social contact. So...I'm still being me when you see me out in public, and I'm genuinely happy to be with you, but you need to know that after extended face-time, I need to find a hidey-hole and crash. For a while. Then I'll be back on the floor saying, "Hi," and asking you how your life is going.

When I go to a conference, I go to meet people. I go to make new contacts. And if I know you and you don't know the author or fan standing next to me, I'll introduce you. I don't "hog" my contacts. That's not how it works. That's not polite, and it's certainly not good business. In fact, it's borderline selfish and rude.

So this whole idea of staying in one's room--wearing your undies, no less--and only showing up to hear a panel or a speaker is just...okay...one word? STUPID.

Why not save the money and stay home?

This is life. You can't phone it in.

Don't even try.

Desire Paths, Part II—Getting People to Follow You in a Digital Age

Last week I wrote about Desire Paths, those pathways that people create to get to what they love. I suggest you view the excellent presentation by Mike Arauz on this idea:
http://www.mikearauz.com/2009/03/desire-paths-branding-for-digital-lives.html

The big question for authors is how can we create Desire Paths in a digital media age? How do we influence readers to beat a path to our door? We must develop promotional activities which attract those readers who would love/enjoy/need/want our books.

1. We must focus on our readers not on ourselves.

It’s not about talking about ourselves! Leonard Pitts wrote this article suggesting that Twitter was a tool for the self-interested, self-absorbed few:

http://www.stltoday.com/stltoday/news/columnists.nsf/leonardpitts/story/9FC40C552EDA126B862575720004469B?OpenDocument

And he got it wrong, because he misunderstands the way most of us are using Twitter. It’s not all about me—and I know it. I “tweet” and give my followers “journaling prompts” which is a term I created years ago to help scrapbookers write more in their memory albums. Essentially a journaling prompt is a sentence stem which encourages a writer to blast through dreaded “writer’s block” by finishing the thought!

How can you give your readers what they want? First, you have to know who your readers are and then you have to…LISTEN. Yep. Amazing. Let me give you an example. A month ago, I was interviewed on Blog Talk Radio by Circle of Seven’s David Ewen. I was at a scrapbook crop during the interview, so David and I decided we should let my readers talk about my book. You know what my readers said? “Kiki Lowenstein is just like ME.” This wasn’t surprising because fans had written me to say the same.

So what do my readers want? I asked them. They loved the fact Kiki wasn’t perfect. They loved that she was slightly overweight. That she had problems with her child and her in-laws. They adored her women friends and her dog. And of course, many of my readers loved it that she scrapbooks.

2. We must get noticed.

In my next blog post next Monday, I’ll talk about how you can get noticed—and I’ll point out easy ways to make sure you do!

PS Make sure you are following me because you won't want to miss this post.

Desire Paths--Why Authors Must Create Them to Sell Books

Ever notice those footpaths between bushes, those stomped down walkways that go from a parking lot to the sidewalk, the ones clearly NOT planned by the landscaper where folks have made their own trail to get from Point A to Point B?

Those are called Desire Paths. That's a term architects use to desire "non-authorized" walkways. Ones that occur spontaneously rather than through top-down planning.

You and I must establish Desire Paths to our books if we hope to be successful. An excellent presentation by Mike Arauz explains this concept:

http://www.mikearauz.com/2009/03/desire-paths-branding-for-digital-lives.html

So how can we do this as authors? There are two parts:

PART I. We must develop a product (book) that acts as a magnet to readers--encouraging them to create desire paths to book purchases/rentals.

PART II. We must develop promotional activities which attract those readers who would love/enjoy/need/want our books--helping readers create desire paths to the booksellers.

Here how we accomplish PART I:

1. Write about characters whose qualities are enjoyable for the reader. Ever read a totally annoying book? Not for long. I remember purchasing a hardback of a bestselling author I've enjoyed over the years. I had to work hard to finish it. When I handed it to my husband, he read a couple of chapters and said, "That's enough for me. None of these people are likeable and none of them like each other." What makes an enjoyable character? Humor, humility, talent, being treated unfairly, flaws, authenticity, and most of all your character has to LOVE something or someone other than herself. Call it Slan's rule, okay?

2. Create characters who learn and grow. I got soooo tired of the victims (read: protagonists) in the Oprah bookclub picks that I wanted to reach through the pages and dope-slap them. My Kiki Lowenstein does victim-esque things, but she also makes some stunningly brilliant choices and refuses to be run-over. She grows as a person through the series. There has to be a balance--if our characters were never "victims" there would never be any conflict--and it has to tip toward growth. (Okay, I'm using "victims" loosely. Think Superman and Kryptonite and Lois Lane. If he was all-powerful, there'd never be any question of whether he could succeed, right?)

3. Add twists and turns. (In other words, be unexpected.) To stay within a genre we must meet reader expectations and adhere to unwritten rules. (For example, a cozy can't have gruesome violence or its not a cozy, and your readers will be upset because, by golly, they wanted a cozy. They didn't want to get grossed-out. Didn't sign up for that!) But just as there's all sorts of creativity within the strict format of a sonnet, you can also put in all sorts of surprises along the way. And on paper, in books, people love surprises. In real life, not so much.

4. Set your hook. I'm not a good fisherwoman because I never learned the art of setting my hook. But, as a writer, I've figured it out. See, you have to tease and tantalize the reader with an unrealized expectation at the end of each chapter. Each book must both satisfy and promise there's more to come. Those of you who have read Paper, Scissors, Death know exactly what I mean. (I won't spoil it for the rest of you, but it's a dilly.) It's not enough to give people an enjoyable read. You have to leave them panting for Act II.

Which in this case is...

How do we authors translate the concept of Desire Paths into our marketing efforts?

I'll tackle that next week.

Meanwhile...What are you thinking, people? How do you create Desire Paths within your book?